Saturday, June 24, 2017
Friday, June 23, 2017
With all the holes in you already, ...
New York City, USA: Edition Barbara Gladstone Gallery, [c1983/85]
15.7 x 28 cm.
Edition of 10
Labels: Jenny Holzer
Thursday, June 22, 2017
Germany: Self-published, 1967
117 x 83 cm.
Edition of 100 signed and dated copies
Labels: Gunther Uecker
Wednesday, June 21, 2017
Cary Leibowitz: Museum Show at the Contemporary Jewish Museum closes this Sunday, June 25th. The exhibition is the first comprehensive career survey and solo museum exhibition devoted to Leibowitz, who once (and sometimes still) uses the alias Candyass. I kick myself for missing it, but I will be there in February 2018, when the show travels to Philadelphia.
For more information, visit the gallery website, here. Or read Wallpaper's review "Pathetic aesthetic: Cary Leibowitz’s zingers are more relevant now than ever", here.
Tuesday, June 20, 2017
The Baltimore Museum of Art exhibition Off the Shelf: Modern & Contemporary Artists' Books closes this Sunday, June 25th.
Curated by Rena Hoisington, Senior Curator of Prints, Drawings & Photographs, the exhibition presents over than a hundred artists’ books and related prints by more than fifty artists, including Pablo Picasso, Joan Miró, Andy Warhol, Grace Hartigan, Francesco Clemente, David Hockney, Barbara Kruger, Kiki Smith, Dieter Roth and Ed Ruscha. Thirty authors are featured, including Stephen King (pictured above, a collaboration with Barbara Kruger), Frank O’Hara, and Robert Creeley. More than half of the works have never been exhibited before at the BMA.
For more information visit the gallery website, here.
Monday, June 19, 2017
Sunday, June 18, 2017
Last day of the fair (noon to 6) today. Visit Nothing Else Press in Room 108 for works by Jonathan Monk, David Shrigley, Paul Butler, Alex Snukal, Micah Lexier, Kelly Mark, VSVSVS, Joy Walker, Karen Azoulay, Garry Neill Kennedy, Jon Sasaki, Dean Baldwin, Yoko Ono, Vanessa Maltese, Daniel Eatock, Claudia Rick, Cary Leibowitz, Yoko Ono and others.
Single Use Functioning House Key
Toronto, Canada: ESA, 2017
5 x 2 cm.
Edition size unknown
A resin cast of the artist's personal house key is available at the Toronto Art Book Fair, at the booth for Etobicoke School of the Arts, organized by Matthew Varey. The accompanying key chain identifies the title, which suggests both a warm, welcoming gesture, and perhaps a bit of a trap.
Oddly, the other purchase I made yesterday is a book called Hardcore Architecture, which uses Google Street View to present the homes behind the addresses in hardcore zines from the eighties where one would write away to purchase DIY cassettes, 7" singles or band merch.
Saturday, June 17, 2017
London/Toronto/Vancouver: Vanity Press/Bywater Bros. Editions/Presentation House Gallery, 2016
144 pp., 17.8 x 11 cm., softcover
Edition size unknown
The 11th title in the Lynn Valley series is available at the Bywater Bros booth at the Toronto Art Book Fair, today until 8pm and tomorrow noon to 6.
Friday, June 16, 2017
Toronto, Canada: Paul + Wendy Projects, 2017
8.5 x 11"
Edition of 25
A gorgeous five piece puzzle made of painted MDF in a silkscreened box is available for $300 CDN at the Toronto Art Book Fair this weekend, and at Paul + Wendy Projects after the fair.
Casey House is Canada’s first and only stand-alone hospital for people with HIV/AIDS, dedicated to providing compassionate and dignified hospice and home care, as well as outreach programs.
The yearly fundraising auction Art With Heart is in it's 24th year. For most of those years a limited edition artists' project has been published, with works by BGL, Jon Sasaki, Michael Dumontier & Neil Farber, Vanessa Maltese, Barbara Aston, Paul Butler, Jaime Angelopoulos, and many others.
At the Toronto Art Book Fair this week, many of these editions are available for sale for the first time outside of the auction, with some deeply discounted. Visit Jennifer Simaitis at the booth in room 108, today, tomorrow and Sunday.
Labels: Toronto Art Book Fair
For the Toronto Art Book Fair, Garry Neill Kennedy and Cathy Busby are presenting a two fold exhibition featuring the artists' personal collection of printed matter, specifically political posters that span from the 1960s to the early 2000s, and a showcase of artists' books by students from the Printed Matter course taught by Garry and Cathy (separately and together) from 1990-presently at NSCAD and UBC.
A public discussion between Roger Bywater (at the fair with Bywater Brothers editions), Garry Neill Kennedy, and Cathy Busby at the Toronto Art Book Fair (180 Shaw St - Studio 101) starting tonight at 6:30pm.
Watch Kennedy in conversation with Kasper König on Youtube, here.
John Lennon's signature solo song Imagine was released in 1971 as the title track to his second studio album, co-produced by himself, Yoko Ono and Phil Spector. It has been named one of the top 100 most-performed songs of the 20th century, with cover versions by Madonna, Stevie Wonder, Joan Baez, Elton John, Neil Young, Lady Gaga, Diana Ross and hundreds of others.
Forty-six years later, Ono is being given co-writing credit for the song. On Wednesday, at a meeting of the National Music Publishers Association, where the song was bestowed the "Centennial Song award, CEO David Israelite announced "Tonight it is my distinct honour to correct the record some 48 years later and recognize Yoko Ono as a co-writer of the NMPA centennial song Imagine, and to present Yoko Ono with this well-deserved credit.”
Lennon often cited Ono's classic artist book Grapefruit as inspiration for the song: “Imagine should be credited as a Lennon-Ono song,” he said. “Because a lot of it — the lyric and the concept — came from Yoko. But those days I was a bit more selfish, a bit more macho, and I sort of omitted to mention her contribution. But it was right out of Grapefruit, her book. There’s a whole pile of pieces about ‘imagine this’ and ‘imagine that.’”
Ono, recently released from hospital, accepted the award in a wheelchair, pushed by Sean Lennon, who tweeted that it was the proudest day of his life.
With Ono operating the Lennon Estate the financial implications of the change would seem minimal, but from a publishing standpoint this addition has major implications. The copyright act of 1976 stipulates that: "from the moment of its creation and gives it a term lasting for the author’s life plus an additional 70 years."Lennon was killed in 1980, making the song subject to public domain in 2050.
The next line in the act states "For a “joint work prepared by two or more authors who did not work for hire,” the term lasts for 70 years after the last surviving author’s death." This would mean that the song would remain generating income for the publishers for another forty or fifty years after 2050.
Thursday, June 15, 2017
Keep Abortion Legal
Toronto, Canada: Nothing Else Press, 2017
18.8 x 9.4 cm.
Vinyl Bumper Sticker
While living in New York City in the 1990’s, Aleksandra Mir encountered countless Anti-Abortion protests, many of which included graphic and grisly images of aborted fetuses. The artist's response is a simple message in the Helvetica typeface, in baby blue and pink colours. Not unlike Yoko Ono’s Imagine Peace project or General Idea’s Image Virus [AIDS], Mir had the design printed on as many surfaces as possible: as silkscreens, postcards, manicure sets, pen knives, dental floss, sewing kits, cigarette lighters and handbags. Keep Abortion Legal has also appeared in numerous museum exhibitions, often meeting with controversy.
Given the current political climate and the increasing threats against funding for Planned Parenthood, the project unfortunately feels as timely as ever. Three days ago the work was installed as a massive public billboard alongside Interstate 70 in Missouri.
At the Toronto Art Book Fair this weekend, the Nothing Else Press will release a vinyl bumper sticker for $3.00. Stick it on your car, guitar, notebook, laptop, skateboard, water bottle or bulletin board.
Wednesday, June 14, 2017
Toronto, Canada: Paul + Wendy Projects, 2017
Edition of 100
Super charming pair of enamel pins by Himaa, selling for $20 at the Toronto Art Book Fair beginning tomorrow at 6pm at 180 Shaw Street, and at Paul + Wendy Projects after the fair.
Redistribution of Wealth
Toronto, Canada: Self-published, 2017
3.625 x 6.5”
Edition of 100 numbered copies
A printed security envelope containing either a five dollar bill or a twenty, selling for the mid-point of $10.00. Part lottery ticket, part investigation into value within the art market, and very funny.
Available at the Toronto Art Book Fair, beginning tomorrow at 6pm at 180 Shaw Street.
Edit DeAk, Walter Robinson, and Joshua Cohn met in an art criticism class taught by Brian O'Doherty at Barnard College in New York, in 1972. The following year they began publishing Art-Rite, a forerunner to the punk/art ‘zine of the latter half of that decade. The publication was printed on newsprint and espoused a decidedly insider (though often anonymous) point of view. Each issue was given over entirely to an artist, a collective or a theme.
What made Art-Rite so unique, deAk told Artforum in 2003, was its “whole new tone and attitude. It was unheard of to have a sense of humor at the time, or not to be talking about ‘the problem’ of art—the problem of this, the problem of that.”
Most issues had covers designed by artists, including William Wegman, Richard Tuttle, Yuri, Christo, Dorothea Rockburne, Vito Acconci, Pat Steir, Robert Ryman, Joseph Beuys, Edward Ruscha, Alan Vega (Suicide), Carl Andre, Rosemary Mayer, Kim MacConnel, Image Bank, Chris Burden, Demi, and Judy Rifka.
The incredible list of contributors includes Chris Burden, Allen Ruppersberg, Kathy Acker, John Baldessari, Daniel Buren, Judith Hoffberg, Allan Kaprow, Richard Kostalanetz, Sol Le Witt, Lucy Lippard, Maurizio Nannucci, Richard Nonas, Adrian Piper, Lucio Pozzi, Marcia Resnick, Carolee Schneeman, Pat Steir, Lawrence Weiner, Robin Winters, Douglas Huebler, David Salle, Rosalee Goldberg, A.A. Bronson, Naomi Spector, Eve Sonneman, Peter Frank, Vito Acconci, Laurie Anderson, Eleanor Antin, David Antin, Diego Cortez, Joan La Barbara, Joan Jonas, Philip Glass, Hannah Wilke, Rebecca Horn, Nancy Holt, Lucio Pozzi, Trisha Brown, Michael Kirby, Scott Burton, Robert Wilson, Yvonne Rainer, Christopher Knowles, Lucinda Childs, Lil Picard, Linda Benglis, Robert Rauschenberg, Robert Morris, Hans Haacke, Julian Schnabel, Nancy Spero, Judy Chicago, Nancy Graves, Joan Jonas, Lee Krasner, Agnes Martin, Les Levine, Dennis Oppenheim, Richard Serra, Shigeko Kubota, Richard Landry, Nam June Paik, Ulrike Rosenbach, Willoughby Sharp and numerous others.
"We were riding on the absurdity of the situation—that we were three nobodies, had no money, had no fame, and didn’t know anybody in the art world. But it was perfect—we were totally free,” said deAk in 1974.
After the 21st issue (actually nineteenth) in 1978, the periodical folded. "It petered out. We kind of ran out of money," said Robinson. "It's just one of those things. We never really made any money out of it and it had just run it's course."
DeAk adds "We were getting older. We were not making any money, we had to work all the time and I just got tired". She went on to contribute to Artforum, Interview, ZG, Art Random, and many other publications, writing about Dennis Oppenheim, Hanne Darboven, Cookie Mueller, Cindy Sherman and others.
DeAk died last week at the age of 68.
“RIP my brilliant 70s collaborator who emerged from the Hungarian waves (via car trunk at the Yugoslavian border) with her equally brilliant husband Peter Grass, to rehab a 3500 sq ft loft on the top floor of 149 Wooster St into a center of fun and DIY culture, where she presided as guiding spirit over the launch of Art-Rite magazine and so many other endeavors, including curating the first performance art festival at Artists Space, then next door, and overseeing its first graffiti art show (I think) and co-founding Printed Matter.”
- Walter Robinson